Glenn Kotche, the drummer of Wilco, is practiced in the art of novel instruments (that’s him in the Delta Faucet commercial). But for his new collaboration with the local quartet Third Coast Percussion, the 44-year-old takes that art to a new level. Kotche’s Wild Sound, a 43-minute tour de force, explores the world of percussive sound, one bizarre handcrafted instrument at a time. “I wanted an element of theater, without going into Stomp territory,” says Kotche.
A lot of cool instruments had to wind up on the cutting-room floor for this one. Amplified foam, a from-scratch one-string instrument, and the workbenches themselves all didn’t quite make the cut.
New music can seem to outsiders like a cul-de-sac in the gated community of classical music. But within the past few years, this view has been belied by the mass of collaborations between new music and other genres, especially indie rock. Just in the past season, the indie musicians Bryce Dessner, Carla Kihlstedt, and Deerhoof performed with Chicago new-music ensembles. If that street is a dead end, it’s attracting a lot of cool visitors. Here’s how it happened.
After seeing a clustering of indie-rock/new-music crossovers, I wrote this critical piece about why this teamwork was happening, when it hadn’t before. Informed mainly by a conversation with Glenn Kotche, the drummer from Wilco, the article also cites from my earlier interviews with the operatic tenor Matthew Polenzani and the composer David Lang.