Renée Fleming, one of the world’s top operatic sopranos and the first opera singer to sing the national anthem at a Super Bowl, last week re-upped as the first-ever creative consultant at Lyric Opera of Chicago, committing to two more years on top of her initial five-year term. During her tenure, she launched the project to commission the new opera Bel Canto, which premieres in December; expanded Lyric’s commitment to musical theater; and loosened a few cravats by partnering with the Second City. Chicago sat down with her to discuss (some of) her thoughts on her time thus far and hint at what her next two years hold.
Renée Fleming may not look back, but when I look back, I see this interview as a journalistic highlight of 2015 for me.
On a conference call to do the first script read for The Second City Guide to the Opera, Renée Fleming, possibly the most famous operatic soprano in the world, threw out an idea. “We [have] to have a diva piece in there,” she said.
The envisioned sketch involved Fleming’s costume and makeup people fawning over her when she’s around—“Yes, Renée.” “Oh, of course, Renée.” “You look so beautiful, Renée!”—and then stomping on her dress and using her wig as a soccer ball …
An article about the comedy troupe Second City’s collaboration with Lyric Opera. My mom nearly fainted when she heard that I talked to Renée Fleming.