Graham Meyer is a writer, editor, composer, and crossword puzzle constructor based in Chicago. He reviews restaurants for Crain’s Chicago Business and covers classical and new music for Chicago magazine. His music has been performed by Musae and the Princeton Katzenjammers. His puzzles have appeared in the Los Angeles Times and The New York Sun.

Projects

When the Lyric Opera announced its 2013–14 season about a month ago, Chicago’s classical-music journalists instantly pegged it as conservative. “Lyric Opera’s 2013–14 season will be given over almost entirely to bread-and-butter repertory,” wrote the Tribune’s John von Rhein. The Sun-Times’ Andrew Patner wrote, “The company on Thursday announced a 2013–14 season of eight operas largely consisting of the tried, the true, and the Italian.”

Then, at a press conference discussing the upcoming season, music director Sir Andrew Davis and others fielded questions like, “Why no operas in French or English?” and “Why no baroque or contemporary works?” Among the responses: “It’s not our most way-out season.”

So how conservative is it?

March 19, 2013

After several classical-music writers around town pointed out the conservatism of Lyric Opera’s 2013–14 season, I undertook to measure it. In addition to the frequency-based index in the article, I also calculated the compass of years between the oldest and newest operas in a season, which gave similar results, but was cut for space.